Author(s)

Liao Yuning

Corresponding Author

Liao Yuning

Abstract

Ruan first appeared in Qin and Han dynasty. It is a traditional Chinese national musical instrument. It was named from Ruan Xian who is one of the Seven Worthies of Bamboo Grove and plays it very well. The sound is solid, varied, and classical in appearance. In the interviews of the older generation of artists, after the founding of the People's Republic of China, it returned to the big family of traditional folk music. It is the key in the band, and the solo sound is melodious, the sound is pleasant, the background is rich in culture and history, and it is also the shining star in folk music. This paper will focus on the introduction of piano accompaniment in the Ruan Xian teaching. This paper first points out the problems in the traditional Ruan teaching and the difference between Ruan and Chinese lute playing techniques, and points out the teaching advantages according to the problems need to be paid attention in introducing the piano accompaniment into Ruan teaching. Finally, the status quo and implementation of piano accompaniment in the professional teaching of Ruan is clarified in order to better inherit and carry forward the teaching of Ruan in China.

Keywords

Piano Accompaniment, Ruan Xian Music, Teaching