Analysis of the Influence of Deconstruction and Integration on Contemporary Sculpture Art
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DOI: 10.25236/ADMC.2019.040
Corresponding Author
Jifeng Guo
Abstract
As the oldest art form, sculpture art presents its numerous reflections of the spirit of the times with its unique morphological language. It is especially important to study and deconstruct the morphological language of contemporary sculpture art from the perspective of art morphology, and to analyze the profound artistic conception conveyed or revealed by the structure of these sculpture forms. This paper discusses the characteristics of Derrida's deconstruction theory and sculpture art, and introduces the relationship between deconstruction and contemporary sculpture art. In view of the current research status of contemporary sculpturalism, we absorb the basic viewpoints of Western morphology and decompose the Chinese contemporary sculpture art form language, and the sculpture art itself has the dual attributes of deconstruction and integration. Summarize the cultural value brought about by the combination of constructivism theory and sculpture art, deeply understand the spiritual connotation of deconstruction itself, and recombine the creation of sculpture art works with the artistic conception of the times, which will undoubtedly promote the development of Chinese contemporary sculpture art effect.
Keywords
Deconstruction; Sculpture art; Spiritual culture; Impact analysis